Brilliant: The Art of Beaded Footwear Around the World

On view October 22, 2026, until April 2028
 

Beads are a popular form of ornamentation found on footwear from around the world. This exhibition showcases beautifully beaded footwear from far global reaches, spanning over 400 years of history. Beads are fragile and require great effort and skill to apply by hand, and this labour-intensive form of embellishment has been used in both decorative and symbolic ways across cultures, expressing status, identity, and spirituality. Showcasing over 85 objects, this exhibit explores the technology of bead making, the invention of glass and the steel needles, the role of hand-beading during the rise of industrialization, and the global spread and application of beadwork. The exhibit features intricately adorned footwear across diverse global cultures – from Peranakan slippers to Indigenous moccasins, and Persian royal shoes.

Curated by Elizabeth Semmelhack, Director and Senior Curator, Bata Shoe Museum; Nishi Bassi, Curator and Manager of Exhibitions, Bata Shoe Museum; and Justine Woods, Assistant Professor, School of Fashion, Parsons School of Design, The New School.
 

Exhibition Highlights

 

Yoruba, 1900 – 1920 Elaborately beaded footwear is traditionally part of the symbolically complex royal regalia, which proclaims the status of the Oba or leader of Yoruba peoples. Symbols include beaded faces which honour Odùduwà , the ancestral Oba of the Yoruba, interlace patterns of beadwork that symbolize the interconnectedness of the divine with the living and birds which signify female power.
Collection of the Bata Shoe Museum
Persian, mid-19th century This pair of Persian shoes is decorated with tiny glass beads and small pearls and features a cypress tree on each vamp. The shoes were likely made for a woman in the Persian court for the Qajar monarchy in the 19th century. The words of poetry on the insoles read, “Your grace puts even the brightest face of the sun to shame. Let anyone who denies prove otherwise. Praise the dust under your feet.”
Collection of the Bata Shoe Museum
Nêhiyawak ancestor artist, c. 1875 One of the oldest examples of Indigenous iconography is the "otter tracks" line motif. Translated across embroidery, ribbon work, and beadwork techniques, the design mimics the physical imprints otters leave behind while travelling through the snow. Here, the beaded “otter tracks” can be around each cuff.
Cared for by Bata Shoe Museum
Peranakan, probably 1920s Beautifully embellished mules are a longstanding part of Southeast Asian Peranakan wedding attire. Brides were responsible for beading their bridal shoes as a demonstration of their taste and skill. This pair features a variety of lush flowers done in delicate beadwork.
Collection of the Bata Shoe Museum
Italian, 1966-1972 Fashion in the 1960s stood in marked contrast to the previous decade, renowned for its elegance and formality. The “Youthquake” ushered in children’s inspired dress including low-heeled shoes embellished with playfully large baubles. The bold embellishment on these silver kid shoes includes oversized plastic beads, synthetic pearls, and oversized sequins.
Collection of the Bata Shoe Museum

 

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