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DTSTART;TZID=America/Toronto:20210220T100000
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UID:7251-1613815200-1613822400@batashoemuseum.ca
SUMMARY:Flat Stitch: Embroidery Beadwork
DESCRIPTION:Cost: $20/per person\nFriends of the BSM: $15/per person \nFacilitated by Métis designer Justine Woods\, this workshop will introduce participants to the historical and contemporary use of Indigenous beadwork in Canada. The hands-on portion of this workshop will offer participants the chance to learn beginner techniques of flat stitch\, an embroidery beadwork technique commonly used to adorn moccasins and other pieces of clothing.  \nThis workshop will take place via Zoom. All participants are required to source their own equipment needed for this workshop. Please see below for details. This workshop will be recorded for internal purposes at the Bata Shoe Museum. If there are any questions or concerns\, please email adrienne@batashoemuseum.ca. \n\nSold Out\nThank you so much for your interest in the BSM’s Virtual Workshop Series! Due to the overwhelming amount of participants\, our Flat Stitch: Embroidery Beadwork workshop is sold out. If you’d like to learn more about Justine Woods and her upcoming workshops\, please visit her website. Stay tuned on our social media and website for new workshops every month!\n\nPURCHASE YOUR TICKETS HERE: \n\n\n \n\n\nABOUT THE HOST \n \nJustine Woods is a Métis interdisciplinary designer based in Tkaronto in what is known as Canada\, and is from the Georgian Bay Métis Community. She is a current Master of Design Candidate at OCAD University and holds a Bachelor of Design in Fashion Design from Ryerson University where she specialized in bespoke tailoring and garment construction. Justine has showcased her work both locally and internationally at Graduate Fashion Week in London\, England and is a Canadian Arts and Fashion Awards nominee. \nJustine’s design practice involves garment-based work with focus on Indigenous clothing adornment practices. Her research and design work investigates the ways Fashion can facilitate\, activate and mobilize cultural resurgence\, specifically positioned through an Indigenous feminist lens. Her work is greatly informed by her identity as a Métis woman and the deeply rooted relationships she has to her ancestral land.  \nWorkshop Tools/Materials Needed \n\nYour choice of clothing/footwear to bead\nSize 10 Czech seed beads (Recommended: Assortment of 3-4 colours per kit)\nNo. 11 gold eye (shorter and more durable) or No. 13 silver eye (longer and easier to string on beads) beading needles\nNymo ‘D’ beading thread\nStiffened beading felt (preferably white\, but any colour will do)\n\nA beading mat (Optional – they can be easily found at any craft store or on Amazon) \n\nSome online beading/craft retailers: \n\nBeaded Dreams\, Ottawa\, ON\, CAN\nArtOn Beads\, Toronto\, ON\, CAN (PayPal payments accepted only) \nBeadFX\, Toronto\, ON\, CAN\nJohn Bead\, Toronto\, ON\, CAN\nShipWreck Beads\, Lacey\, WA\, USA\nBeads and Pow Wow Supply\, Michigan\, US \niBead Canada\, Sudbury\, ON\, CAN\n\n\nFAQ\nWill Justine be providing a template for us to use?\nYes! You can access the template here but we do not want to limit your creativity and you are more than welcome to use your own design. \nDo you have any recommendations on what kind of clothing/footwear to use?\nWe would suggest espadrilles or moccasins\, or a piece of clothing that is made out of a medium-weight or heavy-weight fabric.
URL:https://batashoemuseum.ca/event/flat-stitch-embroidery-beadwork/
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DTSTART;TZID=America/Toronto:20210224T190000
DTEND;TZID=America/Toronto:20210224T200000
DTSTAMP:20210225T142708Z
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UID:7378-1614193200-1614196800@batashoemuseum.ca
SUMMARY:The Salon Series VI
DESCRIPTION:Exploring the impact of 18th century issues today and beyond. \nWe are so excited to announce our next Salon Series guest ~ Dr. Danielle Kinsey. \nDiamonds and “Exotic” Goods Consumption in Britain\, 1750-1830 \nIf we think about a quintessentially British upper-class tea party at the turn of the nineteenth century\, we find that it is composed of goods from away: tea\, obviously\, but also things like china\, sugary items\, chocolate\, spices\, silver\, mahogany\, ivory\, silks\, cottons\, maybe snuff\, and jewelry with precious gemstones. Scholars of this period continue to explore how “exotic” goods came to be appropriated into British society and moved from luxury status to everyday items. In this talk\, Kinsey will focus on diamonds and show how it wasn’t a simple case of a product associated with “the East” becoming Westernized but a more complicated dynamic where diamonds could be understood to be foreign\, exotic\, domestic\, modern\, traditional\, scientific\, romantic\, good and evil all at once. In other words\, the process of appropriation didn’t completely strip diamonds\, and many other goods from away\, of associations with exoticism or knowledge about where they came from and how they came to be in Britain. The worlds of colonialism and global capitalism were very much alive in what could be understood as British consumer culture in this time. \nABOUT THE GUEST SPEAKER \n \nDanielle Kinsey is an assistant professor in the department of history at Carleton University in Ottawa where she teaches courses on consumption and material culture\, British history\, global and imperial history\, and the history of the body. She is completing a book manuscript for McGill-Queen’s University Press about the diamond trade and the meaning of diamonds in Britain and empire in the long nineteenth century. \nRegister Now
URL:https://batashoemuseum.ca/event/the-salon-series-vi/
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